Maria Pombo is one of the most influential content creators in our country, so it is not surprising that each of her decisions generates great impact on social networks, no matter how insignificant it may seem at first.
This could be the case of chart that the little sister of Marta Pombo recently chose to decorate your living room, and that, far from going unnoticed, has sparked a real debate among its more than three million followers. In fact, this peculiar pictorial work also caused a clear division of opinion between her and two of her friends.
One of them, also influencer María Fernández-Rubies, He made his audience participate in the conflict, sharing their reaction during his visit to the home of the creator of the SuaveFest. “My parents love it and they are older, That you don’t like it worries me”, Pablo Castellano’s wife is heard saying in the video.
For her part, Fernández-Rubíes takes the opportunity to ask her followers a question with the aim of finding more people who value painting in the same way she does. ”What do you think of this? It is the new painting in María’s house. He says it’s the most beautiful thing he’s ever seen in his life and, for tastes, colors”, comments.
Far from stopping the matter there, the other friend of the content creator alludes to the text that can be read under the minimalist representation of the woman holding a flower: “Don’t call me darling.” A phrase that, in his opinion, does not represent the essence of María Pombo. ”Nothing hurts you,” he tells her.
Faced with constant attacks from her friends, the 29-year-old businesswoman does not hesitate to defend her latest acquisition tooth and nail. ”You are starting to offend me. It seems to me that it gives it all the touch…”, Pombo concludes, jokingly, highlighting the personality it brings to your home.
However, a few hours later, María F. Rubíes carried out a survey whose results highlight the criterion of influencer Madrid, since more than 75% of the respondents They showed they had serious doubts about the painting.
