Lila Moss made sure to show her mum how it is done as she arrived at the Victoria’s Secret Fashion Show after party on Tuesday evening.
The model, 22, appeared to have ditched Kate Moss after the pair made their debut on the iconic runway earlier in the night.
Heading to soon-to-open ultra-luxe downtown spot Crane Club Restaurant in New York, Lila looked effortlessly chic in a silk white mini dress.
Featuring a flattering cowl neckline and beaded Chanel belt, the star covered her shoulders with a black blazer and added simple black heels.
Lila and Kate, 50, arrived separately on to the party as the latter headed to the bash later after throwing on an autumnal floral number.
Lila Moss showed Kate how to party as the star ditched her supermodel mum at the Victoria’s Secret after party at Crane Club Restaurant in New York on Tuesday evening
Lila looked effortlessly chic in a silk white mini dress after the pair made their debut on the iconic runway earlier in the night
Putting on a more modest display following her racy display on the runway, Kate paired the floaty dressy with black lace tights and a black jacket.
Kate opened up the rock & roll segment of the show as she wowed in a black lace lingerie ensemble patterned with black roses.
Flashing plenty of skin in the classy look, the model added a pair of black feather angel wings and large white hoops as she took to the runway.
Supporters praised the supermodel and said it felt like the show was back to its ’90s heyday with Kate’s stunning appearance – and many were excited about her daughter making her way down the catwalk as well.
Meanwhile Lila little to the imagination in a skimpy pink bra and underwear set.
She covered her shoulders with a pink tassel shawl and bedazzled the look with pink sparkly body jewellery and silver strappy heels.
The show marked the first time Kate, who turned 50 back in January, has taken to the runway since she walked the catwalk for Bottega Veneta back in 2022.
The former editor-in-chief of Vogue Paris, Emmanuelle Alt was brought on board to style the 2024 show and it was her involvement in the show which persuaded Kate to take part for the first time.
The star told Vogue: ‘She’s one of my favourite stylists. Whatever she does, it’s gonna be cool. She’s got such a great eye, so I felt safe.’
Lila and Kate arrived separately on to the party as the latter headed to the bash later after throwing on an autumnal floral number
Putting on a more modest display following her racy display on the runway, Kate paired the floaty dressy with black lace tights and a black jacket
Featuring a flattering cowl neckline and beaded Chanel belt, the star covered her shoulders with a black blazer
She put on a very leggy display while completing the look with a pair of simple black heels
Kate was joined by Emma Weymouth who wowed in a black lacy ensemble
Kate, 50, opened up the rock & roll segment of the show as she wowed in a black lace lingerie ensemble patterned with black roses
She covered her shoulders with a pink tassel shawl and bedazzled the look with pink sparkly body jewellery and silver strappy heels
Flashing plenty of skin in the classy look, the model added a pair of black feather angel wings and large white hoops as she took to the runway
On walking the runway she added: ‘It’s fun and exciting, but I still get nervous.
‘It’s just on such a huge scale. When I used to do shows all the time obviously I didn’t even think about it – we’d just do back to back shows on the same day.
‘Now it’s such a different thing, [the girls arrive] eight hours before a show for hair and make-up.’
Fans called the mother/daughter duo modeling together ‘iconic’ – although some gave Lila the dreaded ‘nepo baby‘ title on social media.
‘KATE MOSS WE ARE IN THE MF 90S,’ a user named Jack the Queen tweeted, and his followers wholeheartedly agreed.
X users (formerly Twitter) called the supermodel ‘iconic,’ said they were ‘obsessed’ with her appearance, and described it as a ‘full circle’ moment.
Other X users said she was aging like fine wine and called her ‘THE OG SUPER MODEL OF ALL THE TIME.’
