The public’s applause Maria Patino and Belen Esteban in The Revolt It speaks of the affection of those who were misunderstood. But not because of the people, because MarÃa Patiño and Belén Esteban are the people. With all things people. Even with that sudden effervescence when you feel overwhelmed when you realize that Whoever you want still loves you.
And, meanwhile, perhaps on Telecinco someone was realizing everything they already were and that they had lost along the way. Because Spain is more like save me than those who never set foot in the neighborhoods believed. Also to The Revolt by David Broncano. Another one who escaped to Mediaset. Another who has visited a lot of neighborhood. He proves it every night a program in which spontaneity always lands on its feet.
Because they dare. Because there is a excellent team behind it that knows how to weave the suspense of the plots so that The Revolt be placed in the eye of the audience as the last great illusion of each day. That illusion that gives you the freedom to be able to leave the predictable and throw yourself into the mischief of creativity that thinks big.
Even dismantles the manias of TV greed. Like that unwritten rule that said “don’t bring that guest who was at the competition yesterday.” The Revolt not only brings Ana Mena the day after being in The Anthill, It also plants the intrigue well from the previous chapter. This generates the expectation of whether Ana Mena will come or not. And whether her fan, who comes to the door of the theater where the program is recorded, will be able to see her or not.
Having a flexible guest schedule allows them the ability to in this way feed the unpredictability of the program. Anything can happen in The Revolt. Everything can be adapted according to the expectations caused by the frenetic current events and their surrealisms, which they know how to catch on the fly and then polish them off. It is not necessary to announce who will come as a specific claim, The important thing is that the program is seen for its incessant authorship.
As a consequence, it makes no difference that the show is recorded at five in the afternoon, the result – even with editing cuts – sounds like a resounding live show. For its ability to make the viewer participate in what is happening. By his skill in portraying real society: looking at the theater stallsgoing out to the streets that lead to Gran VÃa, interviewing the person in charge of coordinating the guests of the program itself (Fernando Delgado) and invited many of those who had no space in prime time to the couch.
Everyone already wants to go to The Revolt. As a guest, or as an audience. What does it matter? The main thing is to live it. Yesterday her own Carmen Lomana was sitting in the stalls, just like what happened at the shows from Florida Park in José MarÃa Iñigo or the plays broadcast from Lina Morgan: TV becomes a social event. And, again, it is a social event because it talks about Spain as a few years ago when general television stopped talking about Spain: with the irony that believes in the intelligence of the viewerwith the comedy that achieves the applause of shared hope when no one feels like they are being left out. Nobody who knows how to laugh at themselves, at least.
